filming for quilting arts tv pt2: step outs

So how does one go from a new idea, to being ready to demonstrate it on the magic screen? With lots, and lots, and lots of work. Usually I choose to demonstrate something I am very familiar with. It’s easy to pull out all the samples and spout off the spiel that I’ve said hundreds of times while teaching.

This time however, one of the segments I proposed was a new idea. It doesn’t happen very often that I get a new idea, all nice and shiny and fresh. I mostly teach techniques so coming up with a project isn’t my usual mode of operation. And while the technique is familiar to me, this new project has me ALL excited!

Guess what folks! I’m going to make some patterns!

You’ve heard the term “learning curve” before, right? Well here I am at the beginning of a roller coaster of a learning curve! I started with a small sketch of a celtic knot. Just choosing a couple out of the many, many, many I’ve drawn took forever. Too many to choose from. Which ones would work in cloth? Which ones are easy or hard or would look great on screen?

After a number of false starts I DID NOT choose this design for my main sample.  I personally like this one, but after a few tries thought… not for TV. And especially not in red and black. Did you know cameras really don’t like red and black? I do now.

Instead I chose this. It’s a small and fairly easy knot. Comparatively. I found a talented graphic designer who cleaned up the sketch beautifully and created a vector file that I could print at any size without losing image quality.

 

 

 

I chose commercial fabrics thinking that people would relate more to them in that “I could do that” kind of way. And really, the whole point of the demo is to show the audience that yes, they CAN do that.

Then began the work. You know when you watch a cooking show and they have all the ingredients ready to go in pretty little bowls instead of digging things out of jars and boxes? Then they put the pan in the magic oven and pull the finished product out two seconds later? It’s like that… but a little more. When showing a project for TV you need to have a “step-out” of every part of the process. In my case I only had 8-12 minutes to teach something that could take a couple hours to make at home.

So here you are seeing:

  • The pattern printed, a light box, and tracing materials
  • Fabric half fused, already fused, ready to cut, already cut
  • Cutting materials
  • Partially fused fabric, ready to arrange
  • Batting and stabilizer for the faux trapunto technique
  • Small sample to show various thread choices
  • Sample ready to show stitch techniques
  • Stitched sample, ready to cut away extra batting
  • Trapunto batting cut, ready to layer with thin batting and backing
  • Sample ready to quilt
  • Finished sample ready for shading with colored pencils.

And there you go!


Finished and ready to pull out of the magic oven sewing machine!

Tomorrow I’ll give you a peek at the other pieces I made for set dressing. Because, of COURSE I couldn’t just use one little sample, right? 

filming for quilting arts tv: ideas and preparation

I had the wonderful opportunity last week of filming for Quilting Arts TV hosted by Susan Brubaker Knapp. It’s lovely and long running show that airs on PBS stations in the United States. You’ll have to check your local station guide to find out if it runs your area.

I thought I’d give you a behind-the-scenes tour of the whole process. I know I’m always much more fascinated by the process than by the actual shows sometimes.

The process began months ago when Susan and I were chatting about the different artists she was scheduling and brainstorming ideas I might have for demos. I had to look it up, but I’ve done this gig three times before, filming at least six segments for five different seasons. I know it seems like I should remember something as big a deal as this, but my brain doesn’t work any more when it comes to timelines and numbers.

I had ideas for demos that concern things I’m very comfortable and familiar with, but I also had an idea that would use the celtic knots I’ve been drafting for several years. It’s a great idea. I love it. A month later and two weeks before the deadline when my kids finally went back to school and I could get some work done…. I was panicking! Why on earth did I choose something that I had NO samples and step-outs made for!!!!!

Tomorrow I’ll show you the behind-the-scenes preparation for this demo.

 

how it’s made video: heart nouveau celtic knot

Thought you might enjoy seeking the process of knot making. Be warned – it’s a bit messy. I never know exactly where I’m going to end up when I start drafting a celtic knot. It might end up simple or complex. Sometimes it doesn’t work at all. A LOT of erasing happens. That is all simply part of the process. If you’ve ever been in a class with me you’ve heard me say “you’ve got to make a lot of bad art to get to the good stuff!”

 

Heart_Nouveau_cover_Lyric_KinardThe collection of designs derived from this knot is available as a downloadable set of coloring pages

HERE

Coloring Pages: knot deco

Knot_Deco_Lyric_Kinard

10 celtic knots, kaleidoscopes, and patterns to color
$4.99
available for instant download

PURCHASE HERE

Knot_Deco_lyric_kinard01

This Variation on a Theme collection begins with a lovingly hand drafted celtic knot. The knot is then digitized and manipulated into exquisitely beautiful kaleidoscopic mandalas and tiled patterns for you to print and color.
Knot_Deco_back_cover_thumbs

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And here is an idea… I’m really trying to get my rankings up on my ETSY shop. I really need ratings in order to do so. If you buy any of my coloring page collection then leave a review on ETSY, I will send you a $4.99 coupon so that you can choose another collection for free! Please share this with any and all of your friends who love to color, I’d really appreciate it!

a little gift – coloring pages for you

snow2016We are “snowed in” here in North Carolina. I have to laugh because there has been barely a coating of ice and snow – nothing compared to the feet and feet of snow that are north of us. Still, the lack of snow tires and clearing equipment, not to mention the inexperience of many southern drivers with icy roads, it’s better to stay home and enjoy it.

Enjoy it I have!

heart_nouveau_00Thank heaven that we kept power. A little explanation of that can be found at the bottom of the post. I spent some lovely days and late into the night playing with the celtic knots I’ve been drafting.

heart_nouveau_09What do you think? Got a hankering for coloring? I’ve created four PDF downloads, each with ten kaleidoscopes and tiled patterns made from one celtic knot. Heart Nouveau is ready to go but the other three are desperate for a clever name. Anyone got ideas?

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Would you like to try them out? I’ve made a sample page for you to download from each set. Happy coloring!!!

Click HERE to download the Heart Nouveau PDF sample

Click HERE to download the Pointy Knot PDF sample

loopy_07

Click HERE to download the Loopy Knot sample

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Click HERE to download the Deco Knot PDF sample

coloring3A little explanation about the southern landscape and ice and power: even with so little snow and ice thousands of people in our area lost power. A large part of the beautiful green that is the south is made up of Southern White Pine. It grows 6′ per year – very soft wood. It looses all it’s lower branches as it grows so it is very top heavy. Bad combination with ice as these 80′ trees tend to fall on everything – especially power lines.

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