leaves-fullwebink, cloth, stitching, acrylic
nine 12×12 canvases

I cannot walk in Autumn without wonder
every shed leaf
a symphony of wonder

The story of GLORY’s creation can be found here.











Picture It Framed Tutorial: mounting small textile art on gallery wrapped canvas

Let me tell you a funny story. My husband loves me dearly and supports me in every way. He is, after all, Mr. Almost Perfect! He is also an engineer and has admitted that he does not “get” art. He’s happy I do it but it has yet to touch his soul. The first time I showed him one of my small textile works in a frame his exact words were, “Wow! That looks like ART!” I had to take more than one very deep breaths thinking, “What did it look like before?” As soon as my head cleared I had something of an epiphany… or at least a “duh” moment. Most people have no real life experience with textile art. If they see a fancy little bit of fabric they might only have grandma’s potholders to relate it to. Framing your small textile works presents them in a format that is immediately understood by everyone as ART!

canvas 08Over the next week I’m going to show you a few of the ways to present your smaller textile art pieces. First up is mounting your work on gallery wrapped canvas. Begin with a small, finished textile piece. In this case it’s an abstract piece, fused and stitched to timtex with a satin stitched edge.

canvas 01

Gallery wrapped canvases are fairly inexpensive – especially when you use your half off coupon at your local craft store. I like to use the deeper canvases, usually 1  3/4 inches or so. Choose a size that is several inches bigger than your textile work all around – it’s especially good if the wooden frame on the back isn’t overlapping your artwork. You’ll see why in a minute. I paint my canvas to accent the artwork, in essence turning it into an integral part of the overall design of the piece. In this case I played with layers of paint, sometimes sponging them off with a wet paper towel before they were all the way dry. When the piece was fully mounted I went back in with india ink and doodled a continuation of the black stitched motif. I love to bleed my textile work out onto the canvas.

canvas 03

Place your work on the painted canvas and pin it in at least three, preferably four spots so it won’t move around while you sew it down. I chose thread the same color as the satin stitching on this piece so that I can just sew right through the edge. If your piece is faced or does not have an edge treatment that you can sew through, you just carefully catch the back edge with each stitch you take. A little tricky but not impossible! I use a thin but fairly sturdy needle and use a thimble on my “underneath” finger and a secretary’s rubber finger on my “topside” pointer finger to help pull the needle through. Painted canvas can be tough but these two tools will help a lot!

s canvas 04Make sure you knot the thread well. See how close the stitching is to the wooden frame? I learned the hard way to make sure that frame isn’t right under where I need to stitch. Again – you CAN angle your needle under that frame but it’s a royal pain in the rear!

s canvas 05I fuse a label or use a sharpie to create one on the back of the canvas. Sometimes I’ll subtly sign one of the sides of the canvas as well but on works of this size I rarely sign the front. I feel the signature competes with the composition. You do it whichever way you feel best but always, always, ALWAYS sign and date your work – somewhere. Now I screw in the eyes and wire the work for hanging. I like to wrap the ends of that wire with a little bit of tape. The ends of picture hanging wire make for nasty little scratches and cuts when you handle it.

s canvas 07Here are a few of my recent works that utilize this technique.


Click this link to see how this series was created. In this case the leaves were simply glued onto the canvases with gel medium.

600px.FT_.Full_FAMILY TIES

When I mounted most of the pieces in this series I did need to sew them onto the canvas by catching just the back edge. I also chose not to paint the canvases. I did texture them with modeling paste. I pressed lace into the damp paste to get an imprint then when it was dry I used a white acrylic paint over the whole thing. Isn’t it cool how you can take a bunch of tiny pieces and turn them into one bigger work with PRESENCE through this mounting technique? You can see details of each piece in the series by clicking here.

SoarII.400pxSOAR II

This mounting technique works just as well for larger pieces as smaller ones. Works II  through IV in the  Soar Series are mounted on 20×20 canvases.

Solo Show: Gallery Walk Tuesday January 11th.

Hi Friends
I hope you’ve had a wonderful Christmas holiday and I’d like to wish you each
a very happy and prosperous New Year!
I would be honored if you would join me for a “gallery walk” and pot-luck lunch on
Tuesday, January 11th at 10:30am.

We’ll meet at the Herb Young Community Center and view my solo show. I’ll blather on a bit and answer questions about my artwork.
Then we’ll head back to my home for a pot-luck lunch together from 11:30 to 12:30.

The Community Center is located on Wilkinson Avenue at the corner of
North Academy Street and Chapel Hill Road, adjacent to the Town Hall Campus.
I’ll give directions to my home from there.
Feel free to email me with any questions at lyric”at”
Hope to see you there!
-Lyric Kinard

The Beginnings of Glory

It’s been a glorious walk up to the bus stop every morning the past two months. Here in North Carolina it seems that a tree grows pretty much everywhere that isn’t mowed or paved. That is a far cry from Salt Lake City where I grew up. There you plant and carefully water any green thing that isn’t sage brush. Those leaves on the ground look brown and dried up from afar but stop and take a look by your feet and there is a world of color and beauty.

Add to that one Epson R1900 wide format printer with amazingly wonderful Ultrachrome ink. It’s been sitting and waiting for too long.  I’ve had an idea in mind and it just needed (as is my usual modus operandi) a looming deadline!

Gloria Hansen, the guru of all things printed and fabric, recommended the inks and the paper backed fabric from Jacquard Inkjet Fabric Systems. When I know someone is the kind of person who tests everything and is very particular about their outcomes, I simply follow their advice and save myself some time. 
I also highly recommend her book, Digital Essentials, the Quilt Makers Must Have Guide to Files, Images, and More. It is a truly helpful book if you have questions about printing on fabric, sizing images, and anything else a quilter might need to know about working with digital images. I do believe she is having a sale on the book before Christmas (hint, hint!)

I’ll introduce you to more of Gloria’s work in a few weeks. You’re going to love it! And her.

Tomorrow I’ll show you what happens when all of these wonderful things come together.
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