online class: Picture It Framed


UPGRADE YOUR ART by learning a variety of professional presentation options for textiles. Award winning artists, Lyric Kinard shows you mounting and framing options. Learn which factors to consider to present your work in the best possible light.

All of these video based lessons will be yours to access permanently in this open-access course. Lesson one opens June 19th in this premier run of the course, with one lesson opening each week afterwards. After that – all lessons will be available immediately for new registrants.

REGISTRATION IS OPEN NOW
$29.99

 

Lesson 1: Basic Framing

  • When to use a mat – edges showing or covered
  • Mounted with gel medium, matted
  • Mounted but not matted – edges exposed
  • To glaze or not to glaze
  • Sewn to a mat board and framed – edges exposed
  • Flush mounted then framed – edges covered with no mat

Lesson 2: Gallery Wrapped

  • Wrap that thing!
  • Wrapped and fused
  • Sewn and stapled
  • Glued and wrapped
  • Glued with painted edges
  • Sewn with painted edges
  • Wrapped and stapled
  • Wrapped, stapled, staples covered
  • Gallery wrapped with a canvas floater frame

Lesson 3: Mounting Variations

  • Hidden mount on gallery wrapped canvas
  • Hidden mount on wrapped stretcher bars
  • Cradled wood board with velcro wafers
  • Sleeve for a standing tabletop frame
  • Plexiglass mount, sewn
  • Plexiglass mount, velcro wafers

Lesson 4: The Frame as Art

  • Painted gallery wrapped canvas
  • Design considerations
  • Integrating the frame into your artwork
  • Extending your design onto the canvas
  • Molding paste for texture
  • Screened canvas with molding paste

 

REGISTRATION IS OPEN NOW
$29.99

 

FAQs:

Q: Will you include links to suppliers?
A: Absolutely yes! If you are an international (outside of the US) student and have links to share, please do!

Q: What are the lessons like?
A: Each lesson includes several short video links as well as written supply lists.

Q: I’m half-way across the world in a different time zone. Will I miss half of what is going on?
A: Not at all. The beauty of online classes is that you can come to them at your convenience. There is no “live” element to this class that you will miss.

Q: I’m out of town during a week of the class, what will I miss?
A: Nothing. You can catch up when you get back. All lessons will be open to you permanently 

Q: How much interaction is there from the teacher?
A: Lyric will answer questions through August of 2017. After that this will be a stand-alone video course with FAQ sections included in each section.

Q: Is the content downloadable?
A: No, but you can access them anywhere you have wifi or a data connection.

Q: What do I need to know about using a computer?
A: You’ll need to be able to save the URL and password for the Ruzuku site. That’s about it!

preparing to film: beautiful frames

For my Picture It Framed DVD I worked on quite a few pieces yesterday. New works that will be used to demonstrate different ways to mount and frame textile art. My favorite of the day was made for a floating canvas frame. I think I’m calling it “scraps” or “Ode to Mirot.”Kinard_ode_to_Mirot1

What is a canvas floater you ask? It’s a wonderful frame for a gallery wrapped canvas – the best of both worlds. You get to see the edge of the canvas and bring the artwork up a notch with a classy frame.photo

I’m really glad I got started on this one ahead of time because apparently I messed up my sizing on my order and the work I intended to use the frame for is too big. Or the frame is too small. It still looks great in the frame, but it doesn’t have that fabulous gap between the frame and the edge of the canvas – or in this case the tiny quilt – that makes it appear to float. (Wow – it’a hard to photograph black frames. Trust me that in this frame there is almost no gap at all.)Kinard_more_circles

Last month I was in Grand Rapids and saw one of last years’ winners of the Art Prize at the museum. If you haven’t heard of ArtPrize I encourage you to go over to their website and take a look. It’s on my bucket list of to-do’s for sure!!! The entire city becomes a public art gallery, tourists and locals come, and a bucketload of prize money is handed out. The best part is that the public gets equal say with the fancy-schmancy-arty-juror folks. There are two 200k (you read that right) awards and one is viewers choice.Ann_loveless1

Sleeping Bear Dune Lakeshore by Ann Loveless

It’s a quilt. But it’s a large scale quilt, wrapped on stretcher bars and frames. Nobody will look at it and picture it on a bed when it is framed! The immediately understand it as a work of fine art.ann_loveless2And don’t misunderstand me. I think many, many bed quilts could just as well be framed and hung on the wall of any museum today. It’s just that a framed textile work is seen by most of the general public as “Art” while most people still think of quilts as something their grandma made that they use for a picnic. They don’t give grandma nearly enough credit, do they?

 

student spotlight: picture it framed

Some of my classes get taught all the time, some only occasionally. Picture It Framed is a class that is seldom chosen by guilds and I had completely forgotten how much fun it is!

Lisa_DodsonLisa Dodson

The Illini Country Stitchers are a happy and fabulous group of women who were a blast to have in class! Maggie_SzafranskiMaggie Szfranski

We spent the morning learning beading techniques and creating a small art quilt then painted gallery wrapped canvases to mount them on. DiannePedersenDianne Pedersen

I also demonstrated a whole bunch of different framing and mounting methods. IMG_0223

Picture It Framed Tutorial: mounting small textile art on gallery wrapped canvas

Let me tell you a funny story. My husband loves me dearly and supports me in every way. He is, after all, Mr. Almost Perfect! He is also an engineer and has admitted that he does not “get” art. He’s happy I do it but it has yet to touch his soul. The first time I showed him one of my small textile works in a frame his exact words were, “Wow! That looks like ART!” I had to take more than one very deep breaths thinking, “What did it look like before?” As soon as my head cleared I had something of an epiphany… or at least a “duh” moment. Most people have no real life experience with textile art. If they see a fancy little bit of fabric they might only have grandma’s potholders to relate it to. Framing your small textile works presents them in a format that is immediately understood by everyone as ART!

canvas 08Over the next week I’m going to show you a few of the ways to present your smaller textile art pieces. First up is mounting your work on gallery wrapped canvas. Begin with a small, finished textile piece. In this case it’s an abstract piece, fused and stitched to timtex with a satin stitched edge.

canvas 01

Gallery wrapped canvases are fairly inexpensive – especially when you use your half off coupon at your local craft store. I like to use the deeper canvases, usually 1  3/4 inches or so. Choose a size that is several inches bigger than your textile work all around – it’s especially good if the wooden frame on the back isn’t overlapping your artwork. You’ll see why in a minute. I paint my canvas to accent the artwork, in essence turning it into an integral part of the overall design of the piece. In this case I played with layers of paint, sometimes sponging them off with a wet paper towel before they were all the way dry. When the piece was fully mounted I went back in with india ink and doodled a continuation of the black stitched motif. I love to bleed my textile work out onto the canvas.

canvas 03

Place your work on the painted canvas and pin it in at least three, preferably four spots so it won’t move around while you sew it down. I chose thread the same color as the satin stitching on this piece so that I can just sew right through the edge. If your piece is faced or does not have an edge treatment that you can sew through, you just carefully catch the back edge with each stitch you take. A little tricky but not impossible! I use a thin but fairly sturdy needle and use a thimble on my “underneath” finger and a secretary’s rubber finger on my “topside” pointer finger to help pull the needle through. Painted canvas can be tough but these two tools will help a lot!

s canvas 04Make sure you knot the thread well. See how close the stitching is to the wooden frame? I learned the hard way to make sure that frame isn’t right under where I need to stitch. Again – you CAN angle your needle under that frame but it’s a royal pain in the rear!

s canvas 05I fuse a label or use a sharpie to create one on the back of the canvas. Sometimes I’ll subtly sign one of the sides of the canvas as well but on works of this size I rarely sign the front. I feel the signature competes with the composition. You do it whichever way you feel best but always, always, ALWAYS sign and date your work – somewhere. Now I screw in the eyes and wire the work for hanging. I like to wrap the ends of that wire with a little bit of tape. The ends of picture hanging wire make for nasty little scratches and cuts when you handle it.

s canvas 07Here are a few of my recent works that utilize this technique.

leaves-fullwebGLORY

Click this link to see how this series was created. In this case the leaves were simply glued onto the canvases with gel medium.

600px.FT_.Full_FAMILY TIES

When I mounted most of the pieces in this series I did need to sew them onto the canvas by catching just the back edge. I also chose not to paint the canvases. I did texture them with modeling paste. I pressed lace into the damp paste to get an imprint then when it was dry I used a white acrylic paint over the whole thing. Isn’t it cool how you can take a bunch of tiny pieces and turn them into one bigger work with PRESENCE through this mounting technique? You can see details of each piece in the series by clicking here.

SoarII.400pxSOAR II

This mounting technique works just as well for larger pieces as smaller ones. Works II  through IV in the  Soar Series are mounted on 20×20 canvases.

Free Ebook from Quilting Arts

If you make small textile pieces and would like a few ideas for how to mount them

you might like this FREE ebook from Quilting Arts.

Lots of fun articles including one of mine called
“Picture it Framed”
http://www.quiltingdaily.com/Quilt-Binding-Finishing-Methods/

You do need to register on the Quilting Arts site to get it – but its worth it!

Quilting Arts FREE e-book

Over at QuiltingArts.com – an art quilter’s social networking resource, they put out a free e-book every few months or so. This month’s book features an article of mine titled: Picture It Framed along with a number of other great articles on the subject of finishing your textile art.

It’s free, easy to download, and as with all of QA’s stuff – looks great. I love their graphic design team – talented folks over there. So pop on over and pick it up at http://quiltingarts.com/media/p/17544.aspx. I do believe you need to register on the site to have access.

I also have more picture tutorials on mounting and framing methods over on my website: 
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