So many times quilters enter shows, bound up in hopes and fears. Wishing so hard for the external validation of an award and fearing so much the harsh critique from someone who doesn’t know the heart and soul they’ve poured into their creation.
If you’ve been to one of my art/design lectures or workshops you might have heard my opinions about this process. Suffice it to say that a judge’s comments may or may not have relevance to your work and that I want you to grow into a confident artist that doesn’t rely on outside validation to know the visual message you are sending is ENOUGH.
The viewer’s relationship to the work is not YOUR relationship to the work. That is as it should be. Their lens of experience is unique to them and colors everything they see. As is yours. If we all saw the world the same way, thought the same way about art, we would be living in an Orwellian world of robotic automatons.
I’d like to point you to a lovely essay by Deborah Boschert about her experience judging one of the most prestigious quilt shows in the world. It’s honest and informative and will help you understand a little more about the process.
She says, “If a quilter is looking for a holistic, full, dedicated, thoughtful analysis or critique of a particular quilt or their body of work, the judges critique sheet from a show may be one component but can’t possibly be a complete review. (And each sheet is just the opinion of one person.) “
Other essays in this series
Showing Your Work: choose your audience
Showing Your Work: choosing venues
Showing Your Work: fine craft shows
Showing Your Work: traveling trunk show
Showing Your Work: a museum experience
Showing Your Work: local venues
Showing Your Work: photographing your art
Showing Your Work: organizing entries
Showing Your Work: judged vs. juried
Showing Your Work: the jury process
Showing Your Work: more about rejection
Showing Your Work: shipping your artwork
1 Comment
Patti Maxwell
March 3, 2024 at 5:47 pmSo true!
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